DISCOGRAPHY

Purchase the most recent album releases with artist and record collaborations across the globe.

The Wake World

Released by Tzadik Records
Featuring Maeve Höglund & Samantha Hankey

The Wake World is a hallucinatory choral fantasy by Los Angeles-based composer David Hertzberg. Scored for five instruments and nine singers, it premiered in 2017 at the Barnes Foundation under the aegis of Opera Philadelphia.

ORDER ALBUM HERE

SUMMER & WINTER SONGS

Released by Navona Records
Featuring Maeve Höglund & Jean-Paul Björlin

Prolific composer Mira J. Spektor makes her Navona Records debut with SUMMER AND WINTER SONGS, a collection of works for voice that bring together family and friends, history and culture, and loss and love. 

ORDER ALBUM HERE

A NATION OF OTHERS

Released by Lexicon Classics

Featuring Maeve Höglund, Raehann Bryce-Davis and Susanna Phillips

A Nation of Others, by Paul Moravec and librettist Mark Campbell, commissioned by the Oratorio Society of New York, is set on a single day in 1921 at Ellis Island, and was premiered at Carnegie Hall in 2022. 

ORDER ALBUM HERE

DARKLING

Released by Albany Records
Featuring Maeve Höglund & others

Darkling, is an opera by Stefan Weisman and libretto by Anna Rabinowitz. It is a story that maps the trajectory of bits of memorabilia, mainly that of Eastern European Jewry destroyed in the Holocaust.

ORDER ALBUM HERE

MEDIA GALLERY

Explore Maeve’s performance media including her soprano audio clips, performance, behind the scenes, reviews, and more!

MarteRn aller Arten BY W.A. Mozart (1756-1791)

Var det en Dröm by Jean Sibelius (1865-1957)

Tonerna by Carl Sjöberg (1861-1900)

TESTIMONIALS & REVIEWS

"Soprano soloist Maeve Höglund's fresh voice was beguiling. She sings with effortless sound that has natural nobility about it."

Rick Walters, Shepherd Express

"Maeve Höglund's soprano was a pleasure throughout - easily flexible throughout her range, rich of tone and soaring over the ensemble."

Lawrence A. Johnson, Chicago Classical Review

"The central role of Lola is a big, complicated sing and soprano Maeve Höglund was triumphant. Ms. Höglund has a solid technique wedded to a rich, alluring soprano that can climb the heights with an easy sheen. She is called upon to execute extreme emotional states, and whether hurling out angular accusations, or musing introspectively , her responsive instrument was a joy to hear. It does not hurt that she is also pretty as a princess and utterly at ease in her stage demeanor."

James Sohre, Opera Today

"Maeve Höglund was incandescent as the proud and pure Leila... with clear-voiced delivery and relative ease to her vocal acrobatics. Her Leila was smart and true and fierce, defending herself, defending her love, and demonstrating a tenacity and nobility that the male characters lacked."

Libby Hanssen, KC Studio

"All Lucias are judged by their mad scene, but from the moment Höglund offered us her "Regnava nel silenzio" in the first act, we were promised good things to come... she has a seamless column of sound, and an instrument flexible enough to take on what is some of the most demanding coloratura singing in all of opera... Höglund's singing is compelling but so is her acting, which was more restrained, but as effective, as another great actress-singer and interpreter of the role, Anna Netrebko."

Whitney Fishburn, DC Metro Theater Arts

"Maeve Höglund was a charming, fiesty Susanna, and her stellar soprano brightened the ensembles. Her fine rendition of 'Deh vieni, non tardar' was equally impressive for its warmth and feeling."

Cornelia Iredell, Opera News

"Maeve Höglund, as Susanna, Figaro’s bride, offered a similarly nuanced performance, both on her own – her account of 'Deh vieni' was a delight – and in her ensemble interactions."

Allan Kozinn, Portland Press Herald

CONTACT FOR BOOKINGS

FOR BOOKINGS

For all US and Europe bookings, please contact via email or phone.

Margaret Levine, Artist Manager at Athole Still Artists

Forester’s Hall
25-27 Westow Street London SE19 3RY
 
Tel: +44 208 768 6606

"A STRIKING SOPRANO"

– THE NEW YORK TIMES

"WEALTH OF DYNAMIC CONTROL"

– OPERA NEWS

"SEAMLESS COLUMN OF SOUND"

– DC METRO THEATRE ARTS

BIOGRAPHY

The New York Times praised Maeve Höglund as “a striking soprano,” and Opera News quoted her having “a wealth of dynamic control and formidable florid technique.” 

In her recent performance of Le nozze di Figaro with Opera Maine, Opera News proclaimed, “Maeve Höglund was a charming, fiesty Susanna, and her stellar soprano brightened the ensembles.

READ FULL BIO

Photo: Jason Homa

TESTIMONIALS & REVIEWS

"Soprano soloist Maeve Höglund's fresh voice was beguiling. She sings with effortless sound that has natural nobility about it."

Rick Walters, Shepherd Express

"Maeve Höglund's soprano was a pleasure throughout - easily flexible throughout her range, rich of tone and soaring over the ensemble."

Lawrence A. Johnson, Chicago Classical Review

"The central role of Lola is a big, complicated sing and soprano Maeve Höglund was triumphant. Ms. Höglund has a solid technique wedded to a rich, alluring soprano that can climb the heights with an easy sheen. She is called upon to execute extreme emotional states, and whether hurling out angular accusations, or musing introspectively , her responsive instrument was a joy to hear. It does not hurt that she is also pretty as a princess and utterly at ease in her stage demeanor."

James Sohre, Opera Today

"Maeve Höglund was incandescent as the proud and pure Leila... with clear-voiced delivery and relative ease to her vocal acrobatics. Her Leila was smart and true and fierce, defending herself, defending her love, and demonstrating a tenacity and nobility that the male characters lacked."

Libby Hanssen, KC Studio

"All Lucias are judged by their mad scene, but from the moment Höglund offered us her "Regnava nel silenzio" in the first act, we were promised good things to come... she has a seamless column of sound, and an instrument flexible enough to take on what is some of the most demanding coloratura singing in all of opera... Höglund's singing is compelling but so is her acting, which was more restrained, but as effective, as another great actress-singer and interpreter of the role, Anna Netrebko."

Whitney Fishburn, DC Metro Theater Arts

"Maeve Höglund was a charming, fiesty Susanna, and her stellar soprano brightened the ensembles. Her fine rendition of 'Deh vieni, non tardar' was equally impressive for its warmth and feeling."

Cornelia Iredell, Opera News

"Maeve Höglund, as Susanna, Figaro’s bride, offered a similarly nuanced performance, both on her own – her account of 'Deh vieni' was a delight – and in her ensemble interactions."

Allan Kozinn, Portland Press Herald

CONTACT FOR BOOKINGS

IN THE MEDIA

Explore Maeve’s performance media including her soprano audio clips, live performance,

behind the scenes, reviews, and more!

WATCH & LISTEN

BEHIND THE SCENES